Motivation is a strange thing for most of us. Today a good friend over at Flexbandit forwarded me a video that captures the spirit of our motivation as people. It also captures something that I feel is wrong with many businesses today.

Below are a few highlights from the video, which I hope you will take a moment to watch and think about, whether you’re a writer, animator, programmer, martial artist, or just a person interacting with this world of commerce and business.

We are not as endlessly manipulable and predictable as you might think.

Money is a motivator. If you don’t pay people enough, they won’t be motivated.

But once they are paid enough, money is taken off the table. There are three factors that lead to better performance:  Autonomy, the desire to direct our own lives; mastery, the urge to get better at stuff and achieve; and, a sense of purpose.

Companies that are flourishing are animated by [a transcendent purpose]

The video begins a bit abstract and vague, but then really gets into some interesting details. You should take a few minutes and watch this video now. And, for more detail, the one on TED.

I’ve taken up some freelance work at Examiner.com. I write local content for the Carson City and Reno area. Check out my bio and, should you find the articles interesting–many of are wider interest than local focal–or just want to help send my daughters to college, subscribe to my page. It’s free and I get paid by the subscriber and page view. It’s not a lot of pay, more pennies than dollars, but it does increase considerably as I get more subscribers and views. Being prolific is key to putting change in the pocket.

The main reason I like this idea is that it’s professional freelance work. This is resume building to be sure. If it paid only a penny an article, it would still be worth it just to have a couple hundred published works I can refer agents to during the query process. The drawback is that it consumes a day of my writing time. Hopefully the material I’m generating will help to hone my skills and make this part worthwhile.

If any of you writerly types are interested in signing up to provide local content in your area, please let me know. I do get a sizable referral bonus if you follow the right process.

As Marilee Swirczek said,

Writing is the act of selecting and organizing words–creating prose with words–with the purpose of providing the reader with an insight, or truth, into the human condition.

Yes, one can write simply to entertain or to produce a laugh or a reaction, but insight is the higher goal of writing, The Art, if you will.

There are many reasons people study martial arts: Some want to get in shape, some want self confidence, and some want to beat people up. Those who make a serious study of martial arts ultimately pursue a higher path: Enlightenment. There are many philosophies and analogies to describe what enlightenment means; because, like writing, it is unique to each individual. A simple way of describing it is thus:  The pursuit of martial arts is the act of selecting thoughts and actions and organizing them–creating prose with movement–with the purpose of discovering an insight into one’s own state or condition.

Both of these arts achieve similar goals. Both of these arts are vast, lifelong pursuits with an ever-expanding horizon. This literally means that the more I learn about each, the larger the field of possibility becomes, the more I understand how little I know. There is an odd comfort in seeking excellence in this way. Sure, it stings at first. This pursuit of an ever expanding target is much like the Christian pursuit of God. One strives to be like perfection, knowing that the effort is vain, that each step forward is still infinitely far away. But it’s still one step closer.

There is a humbling peace in this discovery. I can let go of feelings of inadequacy and the need to achieve and excel and to conceal my ignorance and failures. They are par for the course. The arts I strive to grow in are too vast for any to master in full. Wherever I am on the path relative to another, we are both still at the beginning. Another may be a horizon away from me, but still looks to an even farther horizon of his own.

And, with each new discovery of the craft, I may only grow one step closer to enlightenment; but, I also understand my companions for the journey just a bit more intimately, and find a little more capacity to love the diversity of culture and pragmatism that is a human being. It is all about the journey and nothing about the destination.

I read a post today over on Literary Lab about a guy who quit his job and traveled the world, dancing badly in every country he went to while video taping it. Then he wrote a book about it. David Malasarn had this to say about the experience:

This video reminded me that, no matter what you choose to do, no matter how stupid it is, if you do it with passion, joy, and love, other people will be able to participate in that dream.

I encourage you to drop over to the site and check out the video. It was cheesy, but he’s right. What an experience that would be; I’d be willing to sacrifice quite a bit to trade places with Matt for a year.  Check out the first few pages of his book, too. I’m going to pick up a copy and read it; sounds like an intriguing adventure.

I read this passage today, taken from Bird by Bird, by Anne Lamott. Enjoy.

People tend to look at successful writers, writers who are getting their books published and maybe even doing well financially, and think that they sit down at their desks every morning feeling like a million dollars, feeling great about who they are and how much talent they have and what a great story they have to tell; that they take in a few deep breaths, push back their sleeves, roll their necks a few times to get all the cricks out, and dive in, typing fully formed passages as fast as a court reporter. But this is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you’ve created God it your own image when it turns out that God hates all the same people you do.)

Where does your inspiration come from? Do you write in the mornings or the evenings? How do you get the idea for a plot? How do you write such vivid characters?

All journeyman writers know these questions. If you have been to a reading or read an interview of a popular author, they abound. This question bubbles up within every student of the art at some point. What is often missing, and what even the talented author often cannot articulate to words, is the real question: Where, for you, do your inventions begin and how do you recognize them?

For each author, this is different. But essential to the process for every author is analysis. If you do not look, if you do not see, if you do not stop to polish an idea, then how can you recognize dusty gem from dusty rock? Thus, you must begin by finding a strategy that causes you to dig into everything you see, to be curious about every experience of your day.

I’m taking a course on creative writing, and ran across this passage about the importance of journals as an intimate, vital friend to the writer. Enjoy.

Keep the journal regularly, at least at first. It doesn’t matter what you write and it doesn’t matter very much how much, but it does matter that you make a steady habit of writing. A major advantage of keeping a journal regularly is that it will put you in the habit of observing in words. If you know at dawn that you are committed to writing so many words before dusk, you will half-consciously tell the story of your day to yourself as you live it, finding a phrase to catch whatever catches your eye. When that habit is established, you’ll begin to find that whatever invites your attention or sympathy, your anger or curiosity, may be the beginning of invention. Whoever catches your attention may be the beginning of a character.
Writing Fiction, by Janet Burroway

Besides some beautiful typography, breathtaking prose, and great delivery, what does this prose by Taylor Mali, presented by Ronnie Bruce, have going for it?

It touches on some cords that should be embedded at the heart of any writer’s strategy and writing voice. It touches on principles that should be embedded at the heart of any American. And, it captures the essence of powerful speaking,  powerful writing, and the need for proper, logical, rational, and thorough education.

Enjoy.

Yes, it’s that time of year again: The month when writers everywhere suddenly loose their mojo and forget how to type letters that accumulate into words.

I was over on Lylurn Enclave and found this lament about writer’s block:

So I’ve been stuck for three days, haven’t written a word. They just wouldn’t come out.

I’m sure none of these will be a paradigm shift for established writers, but I find that confirmation other writers are using a tool encourages me to try them too. Here are some of the ones I’ve employed to success against the November Beast of Writerly Agony:

• Surf the web for images that fit my story; get inspired about some character or locale and write on it for a bit;  flesh out some back story
• Write legends about their great uncles or long dead warriors or cultures they idolize or despise
• Rewrite the current chapter from an antagonist’s POV or a minor character’s ( I tend to neglect the villains most)
• Have a written conversation (because that way it’s not crazy) with one of my characters, if two of them are particularly caustic together, talk to them both at the same time; ask how the story is going and what they think I should do (then do the exact opposite of course)
• Pull out the mood music, get some music that really gets me brooding or pumped up; write whatever comes to mind–poetry, battle scenes, crap that won’t be in the book, who cares
• Start the next book. I know that can sound absurd, but often I write books in series out of order. It gives me great insight to where I want the characters to go in the future (and if they should even live this book).
• Pull out one of my favorite books and read the passages I love most; find some technique or characterization that just absolutely works, get inspired, and then make my current sucky scene work like that (maybe even insert a new scene to do it).

There you have it. The wulfish cure to Black November.

Wow, I realize this is a comic, but what an amazing idea for fleshing out stories.

You could use this for plot arcs, character interactions, themes, and just about anything within a novel.

It looks like a bit of work, but the end result is a wonderful map of the story line and characters, useful for analyzing even the worst sort of story problems.

Here’s the low down from NaNo town.

October Recap

Planned events

Twinergy Outline:  I stumbled and fell. I struggled with this all month, but still can’t nail down the middle in any impressive way. This is very bothersome, but sometimes you can’t rush these things. So I have no idea what I’m writing for NaNo (and four days late  )

Book reviews. Took an unexpected business trip this month, so it ate up my hobby time. I will shoot to get these reviews in December instead.

Unplanned

Billboards: A short story about a trucker who gets guidance during a rough time by a most unexpected source–billboards on the side of the road.
Some great potential here!

Water: Prose about a boy fascinated to death with water.
Very lyrical piece, some great imagery.

Gut Feeling: A story about a man who sees signs of his own death everywhere.
A flash with some great conflict and tension building. Sadly, the ending falls far below expectations.

Total Words for October: 5,913

November Preview

Two Poems: I’ll be writing two poems in my writing class. Gnyaah I’m horrible at poetry : (

Twinergy/Other: I hope to whip some plot into shape very quick like and write my NaNo novel this month.

Target word count: 50,000 (yikes!)

Okay, start the cheering and the shin kicking!