I originally posted this writing prompt as a reply on ISBW. However, this is truly a great idea for writers. I’ve been so enamored with the process and the results it’s produced in my creativity, that I’ve switched from using 750words.com as my journaling tool to using OneNote, and I’m thinking about purchasing EverNote because of its great photo tools.

Well, here you go, enjoy. And give it a try for a month! I think you’ll find it as much a boon to the craft as I have:

For the length of a semester, keep an “image notebook.” Every day, record at least one image. (date the entries.) Use all your senses. Ask yourself: What’s the most striking thing I heard, saw, smelled, touched, tasted today? Images begin with precise sensual detail. One day you may overhear a strange bit of conversation, another you may smell something that triggers a memory.

Another day you find a photograph or take one or do a drawing. You might make a collage of words and pictures from magazines. This exercise is very open. Length is variable. Some days you may write a page and others a line. Don’t get behind.

Interesting juxtapositions emerge when you’re not conscious of how many images are colliding. If you do your week’s work all at once, you’ll lose the mystery.

–What If? p. 267

Where does your inspiration come from? Do you write in the mornings or the evenings? How do you get the idea for a plot? How do you write such vivid characters?

All journeyman writers know these questions. If you have been to a reading or read an interview of a popular author, they abound. This question bubbles up within every student of the art at some point. What is often missing, and what even the talented author often cannot articulate to words, is the real question: Where, for you, do your inventions begin and how do you recognize them?

For each author, this is different. But essential to the process for every author is analysis. If you do not look, if you do not see, if you do not stop to polish an idea, then how can you recognize dusty gem from dusty rock? Thus, you must begin by finding a strategy that causes you to dig into everything you see, to be curious about every experience of your day.

I’m taking a course on creative writing, and ran across this passage about the importance of journals as an intimate, vital friend to the writer. Enjoy.

Keep the journal regularly, at least at first. It doesn’t matter what you write and it doesn’t matter very much how much, but it does matter that you make a steady habit of writing. A major advantage of keeping a journal regularly is that it will put you in the habit of observing in words. If you know at dawn that you are committed to writing so many words before dusk, you will half-consciously tell the story of your day to yourself as you live it, finding a phrase to catch whatever catches your eye. When that habit is established, you’ll begin to find that whatever invites your attention or sympathy, your anger or curiosity, may be the beginning of invention. Whoever catches your attention may be the beginning of a character.
Writing Fiction, by Janet Burroway

Yes, it’s that time of year again: The month when writers everywhere suddenly loose their mojo and forget how to type letters that accumulate into words.

I was over on Lylurn Enclave and found this lament about writer’s block:

So I’ve been stuck for three days, haven’t written a word. They just wouldn’t come out.

I’m sure none of these will be a paradigm shift for established writers, but I find that confirmation other writers are using a tool encourages me to try them too. Here are some of the ones I’ve employed to success against the November Beast of Writerly Agony:

• Surf the web for images that fit my story; get inspired about some character or locale and write on it for a bit;  flesh out some back story
• Write legends about their great uncles or long dead warriors or cultures they idolize or despise
• Rewrite the current chapter from an antagonist’s POV or a minor character’s ( I tend to neglect the villains most)
• Have a written conversation (because that way it’s not crazy) with one of my characters, if two of them are particularly caustic together, talk to them both at the same time; ask how the story is going and what they think I should do (then do the exact opposite of course)
• Pull out the mood music, get some music that really gets me brooding or pumped up; write whatever comes to mind–poetry, battle scenes, crap that won’t be in the book, who cares
• Start the next book. I know that can sound absurd, but often I write books in series out of order. It gives me great insight to where I want the characters to go in the future (and if they should even live this book).
• Pull out one of my favorite books and read the passages I love most; find some technique or characterization that just absolutely works, get inspired, and then make my current sucky scene work like that (maybe even insert a new scene to do it).

There you have it. The wulfish cure to Black November.

Wow, I realize this is a comic, but what an amazing idea for fleshing out stories.

You could use this for plot arcs, character interactions, themes, and just about anything within a novel.

It looks like a bit of work, but the end result is a wonderful map of the story line and characters, useful for analyzing even the worst sort of story problems.

I’ve wanted to talk about this for a while now, but haven’t had anything to say that isn’t brooding. I think The Rejectionist did a fine job of capturing my mood, and without making me seem like the whiny source.

Later, I’ll post a more objective study on the topic. For now, feel free to lament with me on the pitfalls of being carbon based life forms who require food, clothing, and DSL.